Foreword
Welcome to The Circus of Brass and Bone. This story is free, but donations are what keeps it going. All proceeds go to help cover the bills incurred during my mother's treatment for advanced ovarian cancer.
Now settle back and enjoy the circus. It's the end of civilization, but the show...must go on.
Episode 14
Blood and Bone
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Lacey
Miller, The Fabulous Lady Equestrienne Who Defies The Fiery Rings of
Death!
In
the circus camp on the outskirts of New York City
After an eternity or two, dawn
broke over the camp. The alien sounds had died away perhaps an hour
earlier. Lacey had remained awake, waiting, but when the camp stirred
back to life, there were no cries of fear, no sharp crack of
firearms.
Lacey rose to her feet and
prepared for the day. Her face was calm--but she tucked the hoof pick
into the waistband of her riding skirt before leaving her wagon.*
Cook had a pot of plain corn
mush on the boil. They'd run out of sweetener and pork fat weeks ago.
Despite this, Lacey's appetite quickened as she sat beside the motley
crew of early-rising circus folk: roustabouts, Ginger the clown, the
girl sharpshooter, the Indian mahout, and animal handlers (not
including the snake charmer, who had no need to rise early to tend to
her charges). Lacey was surprised to see the mahout; she
wouldn't have expected him to have the discipline to rise early.
She said as much to him, though
she discreetly omitted the part about lacking discipline.
"It is being very simple,"
he said cheerfully. "I am finding the morning to be the best
time for the practicing of my asana
and pranayama. I
am usually eating first thing. I am thinking you are surprised
because you are usually being with your horses when I am finishing
breakfast."
His asana--he must mean
the outlandish contortions he employed. She had of course glimpsed
his exertions and averted her eyes, as a lady should. It was hardly
an appropriate topic of conversation. She smiled noncommittally and
dutifully returned her attention to her bowl of mush, which seemed
unlikely to do anything improper or even remotely interesting.
The other circus folk ate
quickly and without much conversation, but Lacey noticed that their
eyes strayed often to the trees. She wasn't the only one whose sleep
had been disturbed.
Genevieve Woodward, the girl
sharpshooter, ate with hearty appetite. Her rifle leaned against the
fallen log she sat on. When she'd scraped her bowl clean, she
returned it to Cook and asked, "Any special requests? I'm going
hunting."
"Why, yes!" he
responded in kind. "Some nice tender lamb would be lovely."
She nodded. "Squirrel it
is."
Genevieve came back to camp
rather quickly, before Lacey had even finished her corn mush. Cook
bustled forward. "You're back so soon! What did you bring me?"
Silently, the girl tossed a
dead animal on the ground in front of her.
Judging by its size and long,
tattered ears, it had once been a rabbit, but something had savaged
it nearly past the point of identification. Blood and fouler liquids
matted the patches of brown fur that clung to the carcass. The
rabbit's soft underside had been hollowed out. Its ribcage had
splintered. Chunks of meat and segments of intestine dangled from the
corpse, leftovers of a very messy meal.
"I can't use what's left
of this meat!" Cook protested. "It wasn't butchered
properly. The meat's contaminated!"
"I didn't bring it to
eat," Genevieve said. "But I ain't going back into the
woods."
Lacey set aside her
porridge--she was no longer hungry--and stared at the mangled
creature. "Whatever could have done this?" she asked.
"Can't venture a guess,"
Genevieve said laconically. She swaggered off to her wagon like it
didn't really matter, but Lacey noticed that she kept her hand close
by her rifle. She was spooked.
"Perhaps . . . perhaps it
was butchered by cityfolk hiding in the woods who didn't know what
they were doing," Lacey tried.
Cook squinted at the carnage.
"A knife didn't do that. There's no cutting marks."
"An animal, then."
"A crazed animal, maybe,"
one of the animal handlers opined. "That ain't natural."
Lacey thought of how unsettled
the horses had been all night, and of how high the scratches on her
wagon were. "We need to leave. Today. As soon as possible. Cook,
when people come for breakfast could you keep them here? We need to
persuade them. It'll be easier to do it in one go."
"You could just tell them
we're rolling out," Cook said. "It would save time--and me
having to corral them."
"We decide things as a
group," she said sharply. "I'm not in charge."
"Aren't you, though?"
She ignored him. She had to.
She couldn't be the one to run the circus. It wouldn't be . . .
proper.
"Leave that--" she
pointed to the mangled corpse, "--right where it is. It should
do my arguing for me."
And so it did. Most of the
circus folk had slept badly. Those who had not were happy to take the
word of the others, particularly after a good look at what was left
of that rabbit--though they no longer wanted their breakfast after.
"Good," she said,
once they were all in agreement. "It's decided. We'll camp in
New York City tonight, in the space on the Rumsey Port dock that the
Commissioner has so generously offered us."
When he heard the name of the
port, the mahout snorted a surprised laugh.
Lacey looked at him curiously.
"What is it?"
"They named the port after
the inventor of the aether-powered steamship," he explained.
"How do you know that?"
The mahout appeared to
recollect himself. His accent thickened as he spoke. "In India,
I am working for an American sahib with much interest in such
things. A very peculiar man." He shook his head. "I am
thinking that now the sailors are cursing Sahib Rumsey and
saying a rakshasa*
is possessing him to invent such a terrible thing."
"Perhaps. However, the
port is our best option now."
"You don't want to scout
it out first?" One of the roustabouts looked confused, and she
didn't blame him. Before entering New York the first time, she'd
lectured them all on safety in numbers and always scouting places out
before going in.
She didn't much like it either,
but she really didn't like the idea of sticking around to find
out what the--the things from last night were capable of.
"We did scout New York,"
she said briskly. "The Commissioner appears to be very much in
control. If we follow his rules, we'll be safe."
"What
about the fortune teller's wagon?" the mahout
asked. "You are not finding her in New York, or there would have
been being a hullaballoo when you are returning. Who will be driving
her wagon into New York?"
Lacey
frowned. "How did you know she was missing? There hasn't been
talk of it around camp."
"Oh.
I heard it from Isaac the animal handler."
"Ah." She smiled
tightly. She supposed expecting discretion from a simple animal
handler was asking too much, but really! "We'll take her wagon,
of course. She may find us in New York. Even if not, we can't afford
to lose anything of value."
"What about Isaac and
Christopher? Where are they?" chimed the aerialist with a purple
ribbon in her hair--Pamela Dyer-Bennet, her name was. She clutched
the hands of her orange-ribboned partner.
"We will probably meet
them on the road to New York, but we should leave them a message just
in case." Lacey
looked over to where the girl sharpshooter was cleaning her nails
with a hunting knife. "A warning carved into a tree?"
She waited. Genevieve kept
cleaning her nails.
"Perhaps you could carve
it now, if you're not otherwise occupied?"
Genevieve lifted her hand and
squinted at her nails. "Done now."
She walked over to a tree near
the center of the circus camp, sank her knife into the bark, and
carved, "Gon Newe York" into the trunk. She picked up the
savaged rabbit carcass and strung it up beside her message. Seeing
Lacey's raised eyebrow, she shrugged. "You said a warning. I
ain't no hand at writing, but I figure that'll do. Cook said we
couldn't use it, so I ain't wasting food."
Lacey glanced at the hanging
body and away. Yes, that would do.
#
Lacey had never seen circus
wagons packed so fast. She sat on her white mare and enjoyed a small
upwelling of hope. A breeze brushed her cheek. The sun warmed her
shoulders. Beneath her, the mare snorted and shifted. Perhaps the
fortune teller would be found unharmed. Perhaps the Commissioner
would cause them no trouble. Perhaps their performance run in new New
York would be a fabulous success and they would be able to trade for
all the supplies they could ever need. Perhaps--
Something clattered among the
trees behind Lacey. An uncanny rasping call mocked her and sent her
mare dancing sideways. The hoof pick in her waistband pressed hard
against her flesh as she reined the mare back and pulled her into a
tight pirouette.
A squirrel jumped from one
branch to another. Nothing else moved.
"There's something in the
trees," Lacey called out. "Keep an eye on your neighbors
and stand ready to help if it attacks!"
"We always do," the
snake charmer said lazily from where she lounged on her high driver's
seat. A small and--Lacey hoped--non-venomous snake poked its head out
of the snake charmer's bosom and flicked its tongue inquiringly. "If
somebody hollers, 'Hey, rube!' we'll all come a-runnin'. Promise."
Her shockingly low-cut green silk dress shifted to bare even more
creamy white flesh as she raised her hand in a mocking vow.
"Of course," Lacey
said, feeling heat rise up her neck.
In the end, leaving the warning
at the campsite turned out to be an unnecessary precaution. Just as
the bridge to New York came into view ahead of them, so did two
travelers walking in their direction: Isaac the animal handler, and
Christopher the ringmaster-in-training.
Pamerla squealed happily and
darted in the newcomers' direction, the purple ribbon in her hair
bouncing as she ran. The aerialist came to an abrupt stop just short
of Isaac. "What took so long? We were worried! Didn't you find
your monkey?"*
"I did, sorta, but--"
Isaac shrugged, "--it's hard to explain. I couldn't bring him
back with me just yet."
Pamela reached up and picked
something out of his hair. "Where have you been? You got a leaf
in your hair!"
He looked rather stunned, as if
she'd whacked him over the head instead of just plucking a leaf from
his hair. "I didn't even give you an apple slice," he said
faintly.
She frowned. "What?"
He shook his head quickly.
"Nothin'. I just, um--you need any help unpacking your wagon?
Um, like, lifting any chests--uh, heavy boxes?"
Lacey didn't roll her eyes, but
really! Men were so clumsy. She would have told Pamela the
thrilling tale of their city adventures, but there the boy was,
offering to lift her chest!
"Maybe later," Pamela
said coyly.
Isaac blushed. "Oh,yeah,
right. Wouldn't make much sense to unpack now. Since we're not there
yet."
Upon hearing that exchange,
Christopher winced. "Christopher," Lacey rescued him, "why
don't you ride with me and tell us what you've learned."
Pamela at least seemed to find
Isaac's lack of sense pleasing, since her response was to tuck her
arm through his.
By the haste with which
Christopher followed her suggestion, he was happy enough to leave the
lovebirds. Ginger the clown also rode up alongside Lacey's wagon to
listen to his protege's story.
Christopher had gotten as far
as their adventures on the dock, and the circus procession was
halfway to the bridge, when rustling and an unearthly rattling noise
in the underbrush interrupted him.
"What was that?" he
asked.
The image of the butchered
rabbit flashed through Lacey's memory. "Something with a taste
for rabbit," she muttered.
"What?"
"Some creature was
skulking around our camp last night, and the girl sharpshooter found
a dead rabbit this morning. Hopefully it won't bother us in the
daylight."
Christopher shrugged. "I'm
no rabbit."
"No, but--" Lacey
stared hard at the trees and the underbrush, but she couldn't spot
anything amiss, "--that rabbit was butchered like nothing I've
ever seen. Hya!" She slapped the reins, urging her wagon horse
to go faster. Around her, she heard others doing the same.
The protective wall around the
bridge might only be half-built, but in that moment, Lacey wanted to
be on the other side of it with a longing so intense it felt like
homesickness. It would hardly be their usual grand entrance into
town. Nobody wanted to stop and gussy up before they were safely onto
High Bridge.
It wasn't until they were
traveling at speed that she realized how they must look, barreling
down on the bridge.
The laborers working on the
wall looked up, saw the motley cavalcade approaching, dropped their
tools, and scattered. The policeman sitting on the edge of the wall
dropped his sandwich, bolted upright, and seized his musket. He aimed
it uncertainly in their direction.
"Whoa!" Lacey
shouted, reining in her horse as she approached. "My apologies
for startling you! We come in peace--our circus has permission from
the Commissioner to set up in Rumsey Port and perform."
The policeman did not look
convinced, even as the rest of the circus straggled to a halt. His
gun wavered, but he didn't lower it. Lacey didn't blame him. She
counted herself lucky he hadn't fired as soon as they came into
range.
"Honestly," she
added. "You can check."
"You look peculiar enough
to be circus folk," the policeman allowed, "but that don't
explain why you came galloping up like an invading army!"
The snake charmer eased
forward. "Let me," she murmured as she passed Lacey.
The policeman's eyes widened as
the silk-swathed charmer sauntered toward him. Her exotic beauty was
undeniably compelling, though Lacey knew it was just as undeniably
contrived: when the snake charmer wasn't putting on foreign airs, her
accent was as Southern as a magnolia blossom.
"I am pleased to see the
bridge so well guarded!" The snake charmer leaned forward and
gazed soulfully into the policeman's eyes, managing to expose more
cleavage as she did so. "I was so frightened. I feel much safer
now."
The policeman stood taller, but
Lacey didn't miss the nervous jerk of his eyes as he glanced in the
direction the circus had come from. "Of course, Miss, I can
protect you, but--. Um. From what?"
"I do not know. We've been
followed by something strange that we cannot see. It is terribly
unsettling." She shuddered daintily, allowing her neckline to
slip a fraction lower.
The policeman's eyes riveted on
the tenuous hold her dress was maintaining. He swallowed hard.
The girl sharpshooter guided
her horse close to Lacey's and leaned forward to murmur in her ear.
"Something moving in the trees back there. More than one
something. They're getting closer."
Lacey kneed her horse forward.
"We have permission from the Commissioner himself to set up our
circus. May we pass?"
"Yeah, sure," the
policeman mumbled, his gaze still locked on the snake charmer.
The snake charmer smiled
sweetly, though her face wasn't where the policeman was looking.
"Thank you so much."
The policeman visibly shook
himself back to attention. "Hey!" he shouted to the
laborers who had fled at the circus' dramatic approach. "Get
back here or I'll have your rations cut, see if I don't!"
Some of the workers were too
far across the bridge to hear his call, but the closer ones slowed
their flight, hesitated, and began returning. They stared at the
circus procession as it passed, but nobody, not even the children,
smiled.
Tough crowd. Of course, the
circus wasn't putting on much of a show. They hadn't taken the
mud-spattered canvas covers off the wagons. None of the circus folk
wanted to stop the caravan until they were on the other side of the
river and preferably far into the city, well away from any uncanny
creatures that stalked the countryside. The gilt and mirrors on the
wagons were covered. The animals slumbered in their concealed cages.
The signs that advertised miracles and freaks of nature were folded
up inside the wagons.*
One of the ostriches poked its
head from behind the canvas flap and blinked long eyelashes at a
little girl walking by. The little girl blinked right back and then
giggled and ran ahead to tug on the hand of an older boy. "Jonah,
look!"
"We got to get to work,"
he told her, wearily. He didn't even glance toward the circus.
Lacey bit her lip. She could at
least give the onlookers a little piece of wonder.
"Help me untether my
horses," she said to the girl sharpshooter.
"Giving 'em a show?"
Genevieve nodded approvingly. "I got some targets in my
saddlebag, too. I could toss 'em up and shoot 'em!"
"Ah . . . no. I don't
think we want to risk any misunderstandings." Lacey glanced back
at the policeman. "In fact, you should probably keep your guns
out of sight except when you're performing. They have strict rules
about such things here."
Genevieve cheerfully pantomimed
being strung up. "Right. Wouldn't want any 'misunderstandings'."
She turned and trotted back toward Lacey's string of horses at the
end of the procession.
Lacey dismounted, tightened the
girth on her mare, attached her horse's headpiece, and fixed the
rather bedraggled plume in place. Hadn't Christopher mentioned
something about a zoo? She wondered if she could persuade them to
part with a few peacock feathers. She pulled out her trick-riding
straps and began attaching them to her saddle.
A musket boomed. Lacey dropped
the strap she was holding and whirled to see what had happened. The
laborers were staring over the wall. Some--creatures--sprinted toward
them.
Deer? she thought. But
no. The shape of them was not right, though she was too far away to
see precisely what it was that seemed so wrong about their flesh.
They moved with a lurching, awkward speed, power replacing nature's
grace. No deer had ever grown antlers that huge and twisted. And no
deer had ever charged a wall lined with people.
The policeman fired again. Then
the screaming started.
Lacey snatched the last strap
from the ground and jerked it into place with unnecessary force,
startling her mare into crow-hopping sideways. She leapt into the
saddle and pulled her mare into a tight caracole turn to face the
direction they'd come from.
"Run!" the snake
charmer screamed at Lacey, as she followed her own advice and goaded
the horses pulling her wagon into an awkward gallop.
The other circus wagons
streamed past Lacey, heading for the safety of the city.
At the end of the caravan,
Genevieve struggled to re-tether the horses that she had just
untethered. Their eyes rolled and their ears were laid back.
One of them even reared without being commanded to do so.
Unthinkable, after all the training Lacey had put into them! If they
bolted. . . . Lacey reined her mare around and galloped back to save
her horses.
She executed a flying dismount
and seized the tethers from Genevieve.
"Circle up!" she
commanded the horses. As soon as they bunched together, she tied all
the tethers into a rough knot. "Pursuit!" she said sternly,
watching the horses to make sure they'd understood the command. A
skittish gray gelding reared his head, his eyes rolling. She seized
his bridle and pulled his head back down. "Pursuit," she
said, as calmly as she could. "Pursuit." His ears pricked
forward. Good. He would focus on the act now. She thanked all her
stars that she'd rehearsed it recently with them.
In the ring, Lacey would "flee"
on her mare. The other horses pursued her while maintaining a perfect
circle. It wasn't her flashiest act, but it was a good solid piece of
performance, especially when she threw in some zig-zags and jumps
that the unridden horses mirrored perfectly.
Now, they would flee in
earnest. She glanced over at the wall.
Laborers streamed away from it,
running along the riverbank or bolting onto the bridge in hopes that
the creatures wouldn't follow them.
The policeman who'd fired the
shots was down. Not so good at protecting us after all, the
analytic part of Lacey's mind noted. He wouldn't be protecting anyone
ever again. He'd been trampled into a bloody mash of shattered bone
and torn flesh beneath the hooves of the hell-creatures. The only way
she even knew it was him was the useless musket lying nearby and the
scraps of blue fabric clinging to the misshapen muzzle of the animal
nuzzling the corpse.
The deer-thing jerked its head
up and tossed something into the air, then snapped it up like a
crocodile. Even from a distance, Lacey saw the blood dripping between
its teeth.
Not deer, no. Deer don't
attack. Deer don't run people down. Deer don't--. She shuddered
and looked away, clapping her heels to her mare's sides and shouting,
"Hiya!" to goad the mare to a gallop.
When Lacey heard clattering
hooves on the bridge behind her, she risked a glance over her
shoulder, rising in the stirrups to see better.
The deer-things stampeded onto
the bridge. Those laborers who had fled to the bridge in hopes of
safety were diving off the side into the uncertain safety of the
river below.
One elderly man was too slow to
get out of the way. At first, she thought the deer would race right
past where he cowered. He was not so lucky. Two of the deer broke
from the pack and lowered their heads. The old man screamed. They
charged. The old man's scream turned into a wail of mortal anguish as
both deer skewered him on their unnaturally long and twisted antlers.
The deer tried to back up, but
their antlers were stuck, trapped by their own viciousness. One of
the deer tossed his head. The motion jerked the old man up, pulling
the other deer along. The old man howled and blood trickled from his
mouth as something vital ruptured inside him. The deer tossed their
heads and jerked and tugged, trying to free themselves. Every
movement wrung another scream from the old man until he fell silent.
Dead or passed out, either was a mercy.
Thanks
be to God everyone else fled.
Even as Lacey had the thought, the girl sharpshooter galloped back
past her, unlimbering her rifle.
At first, Lacey thought
Genevieve had run mad--and then she saw the small figure in the
center of the bridge, huddled against the railing. It was the little
girl who had giggled at the ostrich. She was alone and frozen in
place.
At a gallop, Genevieve aimed
and fired. A blossom of red sprang from the chest of one of the
creatures, but it didn't even slow its pace. Again she fired, and
again, to no effect.
The child was doomed.
"Not if I can help it,"
Lacey said through gritted teeth. She shouted a command to keep her
string of horses racing across the bridge, and then she wheeled her
mare around to face the horror.
(To be continued
in Episode 15: The Value of Chocolate)
If you enjoyed this episode of
The Circus of Brass and Bone, consider making a donation to keep it
going (and get a character named after you, and a copy of the final
book). All proceeds go to help cover the costs of my mother's
treatment for advanced ovarian cancer. If you can't afford a
donation, tell a friend, or blog about it.
Acknowledgments
This episode is brought to you
by the very generous donation of Brad Roberts.
The Circus of Brass and Bone
is written and recorded by Abra Staffin-Wiebe. My main website is at
www.aswiebe.com, and I blog at
cloudscudding.livejournal.com.
Music
is courtesy of Vermillion Lies. Go to their website at
vermillionlies.com
to hear more.
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